04
February
Written by Yair.
Posted in: Craps
[
English ]
If you decide to use this system you need to have a vast bankroll and superior fortitude to go away when you acquire a tiny success. For the purposes of this article, an example buy in of $2,000 is used.
The Horn Bet numbers are surely not looked at as the "successful way to play" and the horn bet itself has a casino edge of over twelve percent.
All you are wagering is 5 dollars on the pass line and ONE number from the horn. It does not matter if it’s a "craps" or "yo" as long as you bet it always. The Yo is more dominant with people using this scheme for apparent reasons.
Buy in for $2,000 when you sit down at the table however put only $5.00 on the passline and $1 on either the 2, three, 11, or twelve. If it wins, beautiful, if it does not win press to $2. If it does not win again, press to four dollars and then to eight dollars, then to sixteen dollars and after that add a $1.00 every subsequent bet. Every instance you do not win, bet the previous amount plus one more dollar.
Adopting this scheme, if for instance after fifteen rolls, the number you bet on (11) hasn’t been thrown, you really should go away. However, this is what might happen.
On the 10th roll, you have a sum total of $126 on the table and the YO finally hits, you gain three hundred and fifteen dollars with a profit of $189. Now is a good time to march away as it’s higher than what you entered the game with.
If the YO doesn’t hit until the 20th roll, you will have a total wager of $391 and because your current wager is at $31, you win $465 with your take of $74.
As you can see, using this approach with only a one dollar "press," your take becomes tinier the longer you play on without hitting. This is why you must walk away after a win or you have to wager a "full press" again and then continue on with the one dollar increase with each hand.
Carefully go over the data before you attempt this so you are very accomplished at when this system becomes a losing affair instead of a profitable one.
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